Start with a source image, grounded in reality.
We start with a source frame, usually a real-world image, like a headshot or a portrait, which gives the visual effect transformation an anchor.

AI VFX Studio / Creative Technology
Building Better Worlds Since 2026.
A cinematic playground for story, software, generated imagery, motion experiments, and production-ready imagination.

Showreel / Introduction
RichFX treats scroll as a production timeline: source material, style exploration, motion, continuity, sound, and story all revealed with deliberate pacing.
AI VFX
The homepage borrows real experiment media from AI Studio and reframes it as a production pipeline.
We start with a source frame, usually a real-world image, like a headshot or a portrait, which gives the visual effect transformation an anchor.
Composition, lighting, costume, and atmosphere become the design brief for the next pass. Styles can vary from cinematic to artistic, and the AI can be guided to explore multiple directions.
Alien! takes a polished headshot and seals it inside a sweaty, industrial sci-fi nightmare. The lab turns an ordinary portrait into a Nostromo-style survival beat, complete with shadowy corridors, a looming xenomorph, storyboarded suspense, and a cinematic reveal built around pure close-quarters dread.
DnD VFX Stage
Krangor turns a personal reference into character art, beat boards, score, key art, and motion while the scroll acts as the production timeline.
The stage starts with a grounded reference so the transformation can keep a human center while the world gets more mythic.
Krangor becomes a production character: readable silhouette, ornate holy-avenger weapon, warm metal, white cloth, and ember-lit atmosphere.
Beat boards sketch the action rhythm, camera language, lighting notes, and emotional escalation before the sequence moves.
The score is treated as part of the VFX stage, not an afterthought: mood, scale, and timing become another production layer.
A poster-like keyframe packages the character, threat, environment, and graphic tone into a single production target.
The moving plate stays lightweight on the page until requested by the viewport, preserving the cinematic reveal without preloading the full file.
Generative Film / Storyboarding
The Rock is used here as an existing long-form experiment: book concept, world, characters, trailer, and episodic motion.
The manuscript opens with Mara Vance's survey team at Uluru uncovering an impossible void: smooth planes, machined seams, metallic dust, a failed probe contact, and the first hint that the rock may actually be a vessel.
Locations, atmosphere, and visual continuity turn the concept into a place the camera can revisit.
Recurring figures, wardrobe, and visual roles make a generated sequence feel less disposable.
The trailer condenses the Uluru anomaly into a tense teaser arc, moving from field survey realism to first-contact dread before the full episodic plan is revealed.
Character Design / World Building
Character sheets, environments, props, and recurring visual rules give future generated sequences something solid to return to.







Music / Audio
Country-trap anthem about urgency, love, and time.
Frankie RichardsExperiments / AI Studio
A small gateway into the existing AI Studio experience, kept curated here so the full route can remain a proper browseable lab.
The legion awaits.Emerald Legion
Hookah smoke, mushroom perch, and surreal poise.Caterpillar!
Hold the line.Gatecrasher
Forged in ash.Ash & Oath
"By the power of GreySkull!"He-Man!
Headshot mutates into marshmallow-monster city destruction.Stay-Puffy!
Headshot detonates into full Super Saiyan power-up.Super Saiyan!
Tea-party eccentricity and theatrical costume fantasy.Mad Hatter!
Undead cartoon menace with playful apocalypse vibes.Zombie Chaos!About / Philosophy
Filmmaking instincts.
Software engineering discipline.
Generative AI as a production material.
Visual effects, story systems, and experiments that can actually ship.
RichFX